Ref: 2391
Female Bust after the Antique
Charles-Antoine Callamard
Ref: 2391
Female Bust after the Antique
Charles-Antoine Callamard
Terracotta
47 cm (18¹/₂ inches)
Paris, France
Monogrammed on the back: AC
47 cm (18¹/₂ inches)
Paris, France
Monogrammed on the back: AC
Exhibition: Musée des Fine Arts de Rouen
Fine Arts Museum of Rennes
Musee du Louvre, Paris
Fine Arts Museum of Rennes
Musee du Louvre, Paris
Literature: A. Branet, "La statue du général Espagne a Auche", Bulletin de la Société archéologique du Gers, 3rd trimestre 1913, pp. 212-213.
R.-G. et C. Ledoux-Lebard, "Les portraits sculptés de Charles et Laetizia Bonaparte. Essai d'iconographie napoléonienne", Bulletin de la Société de l'histoire de l'art français, 1947-1948, pp. 123-124.
J.-R. Gaborit, "Esquisses en terre cuite d'époque révolutionnaire", Revue du Louvre et des Musées de France, 1979, n° 3, pp. 213-214.
A. Imbellone, "Travaux d'émulation" degli scultori dell'Accademia di Francia a Roma nel primo decennio del XIX secolo", Neoclassico, n° 22 (2002), pp. 6-30.
T. Préaud, "Les "grands hommes" en sculpture a Sèvres au XIXe siècle," French Porcelain Society journal, vol. 2 (2005), pp. 121-132.
David d'Angers, Considerations on sculpture. Notice sur le sculpteur Callamare, pp. 450-459, Revue du progrés politique, social et littéraire, tome second, 1er partie, Paris, 1839
R.-G. et C. Ledoux-Lebard, "Les portraits sculptés de Charles et Laetizia Bonaparte. Essai d'iconographie napoléonienne", Bulletin de la Société de l'histoire de l'art français, 1947-1948, pp. 123-124.
J.-R. Gaborit, "Esquisses en terre cuite d'époque révolutionnaire", Revue du Louvre et des Musées de France, 1979, n° 3, pp. 213-214.
A. Imbellone, "Travaux d'émulation" degli scultori dell'Accademia di Francia a Roma nel primo decennio del XIX secolo", Neoclassico, n° 22 (2002), pp. 6-30.
T. Préaud, "Les "grands hommes" en sculpture a Sèvres au XIXe siècle," French Porcelain Society journal, vol. 2 (2005), pp. 121-132.
David d'Angers, Considerations on sculpture. Notice sur le sculpteur Callamare, pp. 450-459, Revue du progrés politique, social et littéraire, tome second, 1er partie, Paris, 1839
Description: Charles-Antoine Callamard
(Paris 1769–1815)
Patinated terracotta on a round breccia marble column,
resting on a white marble plinth
(Paris 1769–1815)
Patinated terracotta on a round breccia marble column,
resting on a white marble plinth
Charles-Antoine Callamard
Charles-Antoine Callamard (1758–1821) was a French painter known for his academic and historical works. Active during the late 18th and early 19th centuries, he produced religious, mythological, and genre scenes in a neoclassical style. His compositions often reflect clarity of form, balanced structure, and attention to classical themes. Callamard worked within the traditions of French academic painting, contributing to the visual culture of his era through carefully constructed narrative works and portraiture.
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Female Bust after the Antique