Ref: 3058
Young woman at her window, holding a cage with a parrot
Ref: 3058
Young woman at her window, holding a cage with a parrot
17th Century
Parquet oak panel
Signed
Parquet oak panel
Signed
Provenance:
Sotheby's auction, New York, 3 October 1996, lot no. 114
Description: Laureys Goubeau (Antwerp 1640 - 1670)
Still life or portrait? This scene by the painter Laureys Goubeau (1640-1670) seems to blend and harmoniously combine the genres of painting. Behind a stone ledge covered with a red cloth, upon which a silver fruit bowl and a birdcage are draped, sits a young lady in fine clothing. She appears to be looking directly at the viewer and simultaneously presents a parrot on her right hand. Next to another window in the background, a group of people sit at a table, deep in conversation.
The parrot in the young woman's hand is by no means arbitrary. The bird's ability to speak gave exotic birds the reputation of being excellent learners. Thus, in his work Sinne-en minnebeelden from 1627, Jacob Cats gave an emblem with a parrot the subtitle "Dwanck, leert snack" ("Discipline teaches eloquence"). Furthermore, the symbolism of birds and birdcages has amorous connotations, with the bird freed from the cage potentially alluding to the woman's lost innocence.
Still life or portrait? This scene by the painter Laureys Goubeau (1640-1670) seems to blend and harmoniously combine the genres of painting. Behind a stone ledge covered with a red cloth, upon which a silver fruit bowl and a birdcage are draped, sits a young lady in fine clothing. She appears to be looking directly at the viewer and simultaneously presents a parrot on her right hand. Next to another window in the background, a group of people sit at a table, deep in conversation.
The parrot in the young woman's hand is by no means arbitrary. The bird's ability to speak gave exotic birds the reputation of being excellent learners. Thus, in his work Sinne-en minnebeelden from 1627, Jacob Cats gave an emblem with a parrot the subtitle "Dwanck, leert snack" ("Discipline teaches eloquence"). Furthermore, the symbolism of birds and birdcages has amorous connotations, with the bird freed from the cage potentially alluding to the woman's lost innocence.
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